...Cheating at all. It is Divine Intervention on the firmest of terra firma. It is like having Dame Fortune as your prom date and she is wearing high heel sneakers.
As a screenwriter, Budd Schulberg–after up close and personal time with Scott Fitzgerald–wrote On The Waterfront.
Without Fitzgerald in Schulberg's life, Marlon Brando's most famous line from the film might have been written as
Considering the circumstances, I could very possibly have been a contender.
Hell!
If I had spent real close and personal time with Scott Fitzgerald, I coulda wrote The Greater Gatsby.
Another example of "cosmic cheating" involved Barry Bonds. Steroids be damned: Willie Mays was his Godfather.
Hell!
If Willie Mays was my Godfather, I coulda done hit one thousand home runs.
Did he really say that?
The kind of humor I like is the thing that makes me laugh for five seconds and think for ten minutes = GEORGE CARLIN...Stained glass, engraved glass, frosted glass–give me plain glass = JOHN FOWLES...Music is the mathematics of the gods = PYTHAGORAS...Nothing is more fluid than language = R.L.SWIHART
Friday, November 2, 2012
The Most Intimate Scott Fitzgerald "Biography"...
...Can be found on lists of the “Best Books You’ve Never Read.”
Sometimes, fiction is necessary to set the facts straight.
The Disenchanted is based on the destination of the two men in this 1939 photograph.
Hollywood had just commissioned them to write a script about the Dartmouth Winter Festival. Scott Fitzgerald–to the surprise of no one–got fired from the assignment.
His protege, Budd Schulberg, morphed the experience into a novel that is said to be out of print but can be found on the shelves of the Long Beach Public Library.
Love Me Or Leave Me
The day Nina Simone autographed this album was a game changer in my so-called life. But enough about me.
A studio recording of LOVE ME OR LEAVE ME is included on Lady Sings The Blues. The text and link below are from Lester Perkins.
Today's offering is this performance from Nina Simone's 1960
appearance on "The Ed Sullivan Show".
In addition to her divine voice Nina treats us to her piano
playing which is quite good, at one point taking on a classical
quality.
The song "Love Me Or Leave Me" written by Walter Donaldson and
Gus Kahn, was originally introduce in the Broadway play "Whoopee!"
in December of 1928 and soon became a jazz standard. It was
played and recorded by many artist including New Orleans clarinetists
Jimmie Noone and his Apex Club Orchestra who recorded the song
on April 27, 1929.
Video:
http://www.jazzonthetube.com/page/942.html
- Lester Perkins
Jazz on the Tube
P.S. Please share Jazz on the Tube with your
friends and colleagues.
If they like jazz, they're going to love this.
Blogger's Note
Nina Simone's daughter has something to say about her mother's biopic, scheduled for release in 2013.
Few things in life are more overdue than a feature film about Nina Simone.
A studio recording of LOVE ME OR LEAVE ME is included on Lady Sings The Blues. The text and link below are from Lester Perkins.
Today's offering is this performance from Nina Simone's 1960
appearance on "The Ed Sullivan Show".
In addition to her divine voice Nina treats us to her piano
playing which is quite good, at one point taking on a classical
quality.
The song "Love Me Or Leave Me" written by Walter Donaldson and
Gus Kahn, was originally introduce in the Broadway play "Whoopee!"
in December of 1928 and soon became a jazz standard. It was
played and recorded by many artist including New Orleans clarinetists
Jimmie Noone and his Apex Club Orchestra who recorded the song
on April 27, 1929.
Video:
http://www.jazzonthetube.com/page/942.html
- Lester Perkins
Jazz on the Tube
P.S. Please share Jazz on the Tube with your
friends and colleagues.
If they like jazz, they're going to love this.
Blogger's Note
Nina Simone's daughter has something to say about her mother's biopic, scheduled for release in 2013.
Few things in life are more overdue than a feature film about Nina Simone.
Thursday, November 1, 2012
The Slinky-Winky Blues???
Hello, America. Hello, America. I’m going to let one boy speak for twenty thousand of them. Here he is, a fine boy–or he was this morning–and glad and proud he had the chance to do it. Speak up, son, you’re talking to half a billion people.
“Hello. Hello. Mother—goodbye, Mother. Mother-goodbye, Mother.“
Thanks, son. Oh-oh! That was too much for him. Take it away, Poke.
Folks, we’re having a little champagne dinner back here outside the dugout—and do we need it! But it seems to be getting suddenly misty in this neighborhood, very misty. And it’s beginning to smell funny. I don’t like it-it’s GAS, folks-GAS! And I can’t find my mask! Hey, my job is giving it out, not taking it…
…The time is eight o’clock. All you truckers on your toes! Prince Paul Obaloney of Dance Hall Society will give us a lesson in the Slinky-winky Blues.
*****************************************************************************
Editorial: This sketch was written in 1935. To our knowledge it has never before been published or broadcast.
The highlight is mine and the editorial comment is from a Russian website that translated into Russian and then re-translated back into English virtually every word ever written by F. Scott Fitzgerald.
Two years before this sketch was written, New Yorker Magazine rejected an FSF short story
that it ultimately published three months ago.
Thank You For The Light is about banning cigaret smoking in public. The idea was unheard of in 1936 but that changed seventy years later.
The actual title of Fitzgerald's sketch is The Broadcast We Almost Heard Last September.
The second half of it is posted above but the opening line introduces Poke McFiddle
"bringing you the big battle in Central Europe."
World War II had yet to begin.
The idea of twenty thousand American troops engaged in European warfare
was unheard of in 1935...
Poke McFiddle and Paul Obaloney and Slinky Winky Blues???
Sometimes silliness can be sagacious.
Blogger's Note
Regarding this and the previous post:
There is one degree of separation between Scott Fitzgerald and Vladimir Nabokov.
That would be Edmund Wilson, who had one of the greatest American minds
of the 20th Century.
His lifelong friendship and correspondence with FSF began
when they were Princeton classmates.
Wilson's extensive correspondence with Nabokov began in 1940,
the year Scott Fitzgerald died.
A Single Spark From PALE FIRE
All the seven deadly sins are peccadillos but without three of them, Pride, Lust & Sloth, poetry might never have been born.
Vladimir Nabokov
Rather than print other quotes or other words of praise, I will direct you to an intellectual intimate of Mr. Nabokov.
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